LIMITED EDITION, 1/1000 COPIES. Folio. Two volumes. Original paper wrappers printed in red and black. Original glassine. Complete with 14 plates by Alastair. An outstanding set with light wear to glassine wrappers.
Signed by Arthur RackhamLondon, 1918
RACKHAM, ARTHUR; SWINBURNE, ALGERNON CHARLES. The Springtide of Life. Poems of Childhood by Algernon Charles Swinburne. SIGNED LIMITED FIRST EDITION, number 354 of only 765 copies signed by illustrator Arthur Rackham. Beautifully illustrated collection of Swinburne’s children’s poems, with nine mounted colored plates and 52 black and white drawings. One reason why Swinburne never brought out such a collection was his failure to find an artist who could interpret to his satisfaction the simplicity and freshness of his verses. We are fortunate in having secured, in Mr. Arthur Rackham, one whose delicate and romantic fancy is in sensitive harmony with Swinburne’s, and who understands, no less than he did, ho ‘Heaven lies about us in our infancy.'” –Edmund Gosse, Preface Quarto, original half vellum over parchment boards with gilt designs. Some soiling to endpapers, binding with only the slightest soiling; an exceptionally clean copy.
LIMITED EDITION, one of 750 copies. “All I can say is that most modern books weary me, but Burton never does…His writing is like talk, learned but earthy, and once he starts, he is hard to stop…That he was a humorist in our sense of the word we need no biographical facts to attest: The Anatomy of Melancholy is, by a magnificent and somehow very English irony, one of the great comic works of the world.”— Anthony Burgess Two volumes. Quarto. Original vellum-backed decorative boards. Printed on Dutch paper. An excellent set, clean throughout.
1/250 copies from the Kelmscott PressHammersmith: , 1895
FIRST KELMSCOTT PRESS EDITION, ONE OF ONLY 250 COPIES ON PAPER (from an edition of 258). The Kelmscott Press “was far and away the most splendid of all private presses… quite without a peer.” -Colin Franklin, The Private Presses Beautifully printed in red and black in Golden type. Exquisitely illustrated by William Morris with woodcut title page, first page (borders), and decorated initials throughout. Hammersmith: Kelmscott Press, 1895 [issued 1896]. Small quarto, original limp vellum, yapp edges, gilt spine title, green silk ties; uncut. One tie loose, else fine.