Art & Photobooks

  • Showing all 10 results

  • Showing all 10 results

Darwin-Origin-1861

Rare 1861 third edition of Darwin's Origin of Species, a scholar's copy

DARWIN, CHARLES

The Origin of Species By Means of Natural Selection… Third Edition, with Additions and Corrections. (Seventh Thousand.)

The important 1861 third edition of Darwin’s On the Origin of Species was the first to include Darwin’s account of the work of his predecessors. “The great majority of naturalists believe that species are immutable productions, and have been separately created. This view has been ably maintained by many authors. Some few naturalists, on the other hand, believe that species undergo modification, and that the existing forms of life have descended by true generation from pre-existing forms.” In the original publisher’s blindstamped green cloth gilt (with Edmonds & Remnants ticket); half-title, one folding plate, advertisement leaf at the end. Cloth a bit rubbed, some loss at lower spine, hinges holding despite some wear; generally a very presentable copy with an interesting provenance. Provenance: Professor Martin Brasier (1947-2014), a celebrated palaeobiologist and author of Darwin’s Lost World: The Hidden History of Animal Life (published in 2009 as part of the Charles Darwin centenary celebrations). This copy with an inscription by  Brasier: “used in Darwin’s study at Down House, Kent”. Also James Earl Moreton, F.R.C.S. (1831-1914), bookplate; Thomas W. Earl Moreton, gift inscription to G.B. Leach
Leibovitz-front-jacket1

Signed by Annie Leibovitz

LEIBOVITZ, ANNIE

Photographs 1970-1990

FIRST EDITION, SIGNED BY ANNIE LEIBOVITZ. “I hate the word ‘celebrity.’ I’ve always been more interested in what people do than who they are, and I hope that my photographs reflect that. I have the opportunity to work with people who are the best actors, and writers, and athletes, and dancers–a broad spectrum. I feel like I’m photographing people who matter, in one way or another. I’m photographing my time.”–Annie Leibovitz, in an interview with Literal Magazine Folio, original photo-pictorial boards, original glassine. Minor tears at extremities of rear glassine wrapper. A lovely copy.
Ruscha collection

"It’s the gas station, that’s the important thing"

RUSCHA, ED

Sixteen Artist Books

“The photography by itself doesn’t mean anything to me: it’s the gas station, that’s the important thing” An exceptional private collection of the artist books of Ed Ruscha. First editions, many signed.
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WARHOL, ANDY

The Philosophy of Andy Warhol (From A to B & Back Again)

FIRST EDITION, INITIALED BY WARHOL ON HALF-TITLE. New York: Harcourt Brace Jovanovich, 1975. Octavo, original cloth, original dust jacket. A fine copy in a very good dust jacket (slight blistering to jacket).
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AVEDON, RICHARD; Brodkey, Harold (Introductory Essay)

Photographs 1947-1977

“Avedon gravitates to those moments in which the oscillation between pretense and revelation is most intense. The subject of any of his photographs is likely to show in part isolation or grotesquerie, courage to the point of madness, isolation-and-defiance or sly amusement, desolation and wit, pride and sterility, pride and triumph. Victories, defeats mingle in the same moment sometimes or on adjoining pages…” –Harold Brodkey (from the Introductory Essay). FIRST EDITION. A spectacular production illustrated with Avedon’s photographs of Lauren Bacall, Joan Baez, Bridget Bardot, Audrey Hepburn, Anjelica Houston, Janis Joplin, Sophia Loren, Marilyn Monroe, Yves Saint Laurent, Elizabeth Taylor, Diana Vreeland and many more. A near fine copy with the original acetate jacket in very good condition with wear and chip at the top of the spine. An excellent copy signed and inscribed by Avedon.
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CHAGALL, MARC

Jerusalem Windows

FIRST EDITION in English, beautifully illustrated with 104 plates (64 in full color), and TWO ORIGINAL COLOR LITHOGRAPHS done expressly for this edition. “All the time I was working, I felt my father and my mother were looking over my shoulder, and behind them were Jews, millions of other vanished Jews of yesterday and a thousand years ago.” –Chagall, on the creation of The Jerusalem Windows Chagall’s Jerusalem Windows illustrates and chronicles the creation of the famous twelve stained glass windows, one for each of the twelve tribes of Israel, designed by Chagall for the Hadassah-Hebrew University Medical Center Synagogue in Jerusalem. Text and Notes by Jean Leymarie. Original red cloth, original pictorial dust jacket. Without the rarely seen publisher’s slipcase. Book fine, dust jacket near-fine with only a little edgewear.
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SOTH, ALEC

Sleeping by the Mississippi

Pre-publication edition, SIGNED by Soth. Number 26 or 30 numbered copies. With original Inkjet prints bound into cloth covers. Gilt stamped brown cloth with an original photograph mounted on front cover. Fine copy.
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SOMMER, FREDERICK

1939-1962 Photographs

FIRST EDTION, THE EXTREMELY RARE HARDCOVER ISSUE; one of an estimated fifty copies bound for presentation. “[T]his is an almost perfect monograph. It begins and ends with Sommer’s exquisite abstractions, and includes some of the best examples of Sommer’s work in portraiture, collage, landscape, and still life to date. Every two-page spread reveals something more about the images through their juxtaposition. And then there is the text. It is very unusual to have writing at this level, uninfected with either sentimentality or pomposity, from an American photographer, but what’s more unusual is to have an artist who makes images and text and can combine them in a way that deepens and extends the effects of each. This early enactment of Sommer’s ideas about the workings of linguistic and pictorial logic is a gem” (David Levi Strauss. The Book of 101 Books). Roth 101. Complete with 30 black and white photographs. New York: Aperture, 1962. Small folio (235x205mm), original white cloth with black lettering. Only a few spots of soiling to cloth. A magnificent copy.
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Number 623 of 1200 copies on vein, SIGNED AND INSCRIBED by Paul Eluard

RAY, MAN; ELUARD, PAUL

Facile: Poemes de Paul Eluard, Photographies de Man Ray

“Although Man Ray participated in and produced hundreds of fruitful collaborative works in his life, Facile must be ranked among the most successful.” –Roth, 101 Books Number 623 of 1200 copies on vein, SIGNED AND INSCRIBED by Paul Eluard on the half-title. Quarto, original wappers; custom half-morocco box. First gathering loose, a hint of wear to wrapper edges. A fine copy.
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Signed and inscribed by August Sander

SANDER, AUGUST

Antlitz der Zeit

FIRST EDITION of Sander’s classic, one of the most influential photobooks of the early twentieth-century. SIGNED AND INSCRIBED BY SANDER. August Sander “was part of a coterie of photographers who established the photographic book as an aesthetically and commercially viable art form in the 1920s. Though Sander had published one such book in 1924, Unsere Heimat, Hannover, it was the 1929 publication of Antlitz der Zeit (The Face of Our Time) that propelled him into enduring fame” (Warren, Encyclopedia of Twentieth-Century Photography). “Many of his classic images are included in this seminal photobook, and the essential qualities of Sander’s vision can be seen. He took typical examples of professions, trades and social classes in Weimar Germany, and photographed them in their familiar environments in order to build up, piece by piece, a dispassionate image of the ‘face’ of society… One of his work’s miracles is how, despite his nominal objectivity, his political view shines through… His work is not neutral. It is not just penetrating, but was seen as positively dangerous, a little too acute in its analysis of society and class, by those with certain vested interests. This is made clear by the fact that when the Nazis came to power in Germany in 1933, publisher’s copies of Antlitz der Zeit were seized, the plates destroyed, and the negatives confiscated by Hitler’s Ministry of Culture” (The Photobook, I.124). Roth 52. Quarto. Original yellow cloth, original dust jacket. Signed and inscribed by Sander. Scarce original dust jacket with small chips at spine ends and extremities, and significant tears with loss at bottom portion of spine and front cover and at top of dust jacket rear (1″x4″).
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ERNST, MAX; PREVERT, JACQUES

Les Chiens ont Soif

LIMITED EDITION, WITH TWO SIGNED COLOR ETCHINGS BY MAX ERNST, and 25 additional color lithographs; one of only 250 copies (out of a total edition of 320). An evocative collaboration between the surrealist poet Prevert and the surrealist artist Ernst. The Livre d’Artiste in the Twentieth Century 46. Large folio, loose as issued in original lithographed paper wrappers; original buckram clamshell box. Fraying to box edges, some foxing to wrappers; interior and plates fine.