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For Whom the Bell Tolls

First edition of Hemingway's finest novel. Original cloth, original dust jacket. An excellent copy.



FIRST EDITION of Jevons's explanation of his "logical piano"; a landmark in computer science.To the reader of the preceding paper it will be evident that mechanism is capable of replacing for the most part the action of thought required in the performance of logical deduction. Mental agency is required only in interpreting correctly the grammatical structure of the premises, and in gathering the purport of the reply... The machine is thus the embodiment of a true symbolic method or Calculus... Jevons invented a "logical piano" (so named because it resembled a small upright piano) that could perform, through a sequence of switches, various types of logical calculations. In doing so, he became "the first person to construct a machine with sufficient power to solve a complicated problem faster than the problem could be solved without the machine's aid" (Goldstine). "On the Mechanical Performance of Logical Inference," a paper Jevons read before the Royal Society on January 20, 1870, is his most detailed description of this early prototype of the modern computer. The logical piano now stands in the Museum of the History of Science in Oxford.In: Philosophical Transactions of the Royal Society of London for the year 1870, pp. 497-518, Vol. 160, Part II (the complete volume). London: Taylor and Francis, 1870. Quarto, modern half-calf over marbled boards, with the original wrappers bound-in. A fine copy.



"Avedon gravitates to those moments in which the oscillation between pretense and revelation is most intense. The subject of any of his photographs is likely to show in part isolation or grotesquerie, courage to the point of madness, isolation-and-defiance or sly amusement, desolation and wit, pride and sterility, pride and triumph. Victories, defeats mingle in the same moment sometimes or on adjoining pages..." –Harold Brodkey (from the Introductory Essay)FIRST EDITION. A spectacular production illustrated with Avedon's  photographs of Lauren Bacall, Joan Baez, Bridget Bardot, Audrey Hepburn, Anjelica Houston, Janis Joplin, Sophia Loren, Marilyn Monroe, Yves Saint Laurent, Elizabeth Taylor, Diana Vreeland and many more. A near fine copy with the original acetate jacket in very good condition with wear and chip at the top of the spine. An excellent copy signed and inscribed by Avedon. SOLD.


Boswell's Life of Samuel Johnson, FIRST EDITION, FIRST STATE

FIRST EDITION, FIRST STATE of the most famous and most beloved biography in the English language. One of only 1750 copies of the first edition printed (both first and second states combined). p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 14.0px Times; color: #424242; -webkit-text-stroke: #424242} span.s1 {font-kerning: none} "Anyone interested in biography soon becomes interested in Boswell's Life of Johnson. It stands next to other biographies as Shakespeare stands beside other playwrights: towering above them all. For more than two centuries it has been continually in print, and in that time it has won innumerable admirers. No other biography has given so much pleasure; no other biographer has created such a vivid central character. It has become a truism that, as a result of Boswell's extraordinary book, Samuel Johnson is better known to us than any other man in history" (Sisman, Boswell's Presumptuous Task, xv). First state with "gve" on page 135 of vol. I. Quarto. Two volumes. Contemporary calf, skillfully rebacked. Gilt compartments, double-labels. A wide margined copy in a handsome binding. With frontispiece (after Sir Joshua Reynolds) and the two engraved plates in vol. II. Courtney & Smith, pp. 172-73. Pottle 79. Grolier English Hundred 65. Rothschild 463.


T.E. Lawrence's Seven Pillars of Wisdom, FIRST TRADE EDITION

“All men dream: but not equally. Those who dream by night in the dusty recesses of their minds wake up in the day to find it was vanity, but the dreamers of the day are dangerous men, for they may act their dreams with open eyes, to make it possible.” –T.E. Lawrence, Seven Pillars of WisdomFIRST TRADE EDITION, FIRST IMPRESSION. 54 illustrations and 4 fold-out maps. Near fine or better in brown buckram; original dust jacket with small tears and few small chips; spine lightly toned and with some soiling, light creasing to front panel. A very attractive copy of Lawrence's masterpiece. 


The Paramount Book of Blues

First Edition. 16mo. Original Wrappers. 40p., 6.25x9.25 inches, 30 blues songs with musical transcriptions and lyrics, 6 photos of the artists with short biographical sketches. A fine copy in original stapled pictorial wraps.


Allen Ginsberg's HOWL, SIGNED and INSCRIBED with a Drawing by Ginsberg

SIGNED AND INSCRIBED BY ALLEN GINSBERG, WITH SUNFLOWER DRAWING. A later printing of Ginsberg's masterpiece. "In October 1955 Ginsberg read the first part of his new poem ['Howl'] in public for the first time to tumultuous applause at the Six Gallery reading in San Francisco with the local poets Kenneth Rexroth, Gary Snyder, Michael McClure, Philip Whalen, and Philip LaMantia. Journalists were quick to herald the reading as a landmark event in American poetry, the birth of what they labeled the San Francisco Poetry Renaissance. Lawrence Ferlinghetti, who ran the City Lights Book Store and the City Lights publishing house in North Beach, sent Ginsberg a telegram echoing Ralph Waldo Emerson's response to Walt Whitman's Leaves of Grass: 'I greet you at the beginning of a great career. When do I get the manuscript?' Later Ginsberg wrote that 'in publishing 'Howl,' I was curious to leave behind after my generation an emotional time bomb that would continue exploding in U.S. consciousness in case our military-industrial-nationalist complex solidified into a repressive police bureaucracy' (Original Draft Facsimile Howl, p. xii). Very nearly fine with only the most trivial wear to extremities. 



"The Design which forms the Frontispiece to this book, and which is therefore presumed to be somewhat typical of the intention of Fable, represents Man tried at the Court of the Lion for the ill-treatment of a Horse. It will be seen that Man has the worst of it..." Quarto. Hand-colored wood-engraved frontispiece, title and 22 plates by Swain after Charles Bennett. Finely bound in near-contemporary maroon calf. Light wear to spine and extremities; internally clean and nearly fine. A handsome and very appealing copy.



First edition SIGNED BY SAMUEL BECKETT. Octavo, original wrappers; custom half-leather box. Text in French. Some browning and rubbing to spine. 


Ian Fleming's Octopussy and The Living Daylights, FIRST EDITION, FIRST STATE JACKET

"...And all this because of a man called Bond, Commander James Bond, who had turned up at ten thirty that morning in a taxi from Kingston."FIRST EDITION. Original cloth, first state dust jacket with the price intact on the front flap. Near fine copy in a very good or better example of the original dust jacket. A very desirable copy.


FIRST EDITION of The Man in the High Castle, A Superb Copy

FIRST EDITION, FIRST PRINTING of what is considered to be Dick’s finest work and winner of the 1963 Hugo Award. A beautiful copy in the original dust jacket.First printing with D36 of page 239. Pringle, Science Fiction: The 100 Best Novels, 37. Octavo, original black cloth, original dust jacket. Book with slight bump at heel of spine and a hint of edgewear to dust jacket. A beautiful, bright copy. 



First French edition, SIGNED BY BECKETT on title page; one of only 112 copies printed on "bouffant select marques" and reserved for the publishers. A collection of six short plays, translated from English by Beckett.  Octavo, original printed wrappers; glassine. Unopened. A FINE COPY.



FIRST COMPLETE EDITION OF AESCHYLUS. With the editio princeps of the Agamemnon. “An excellent and beautiful edition... It is a much more valuable impression than either of its precursors.. what enhances the value of the edition is, that the Agamemnon is published in it, for the first time, complete.” -Dibdin, An introduction to the knowledge of rare and valuable editions of the Greek and Latin Classics Quarto. Early full tree-calf skillfully rebacked, spine in six compartments, red leather label. Gilt dentelles, marbled endpapers, all edges gilt. Text generallly clean throughout; repaired tear to the lower portion of title page. A handsome copy of an important and distinguished edition.


Cormac McCarthy's All the Pretty Horses, FIRST EDITION, AN EXCELLENT COPY

"When you read this book, from page one you feel a threat following you, some animistic urging that keeps you going by the way McCarthy manipulates your demonic love of the sounds of speech. It’s seductive, the way shots of tequila offer the promise of danger, the way Shakespeare convinces you that even though Macbeth is up on the stage and you’re in the audience you’re thinking and feeling along with him, his bravado, his self-convincing, his descent, his death..." –Harold AugenbraumFIRST EDITION of the first novel of McCarthy's Border Trilogy. "Winner of the 1992 National Book Award and the 1992 National Book Critics Circle Award for fiction, Cormac McCarthy's sixth novel, All The Pretty Horses, simultaneously recapitulates and transcends many of the themes, situations, structures, and characters of his earlier work..." (Arnold and Luce, Perspectives on Cormac McCarthy). New York: Alfred A. Knopf, 1992. Octavo, original cloth, original dust jacket. A fine copy.



First authorized American edition, INSCRIBED BY ILLUSTRATOR ERNST REICHL IN THE YEAR OF PUBLICATION. "Not only designed, but signed, for a good old friend. Ernst Reichl / 1.23.34" Octavo, original oatmeal cloth, presumed first issue dust jacket (with 'Reichl' on lower front wrapper). Book near fine with few marks on covers, dust jacket very good with tape reinforcement at spine head verso, crease and small chips to jacket spine. 



FIRST EDITION. The Cologne Chronicle is famous for a lengthy passage, on leaf 311 (verso), that provides the first printed account of the development of printing. "There are few ancient books which have been so frequently quoted, yet so rarely seen, as the present Chronicle. The possession of it is, indeed, essential to a Library like the one under description; since there is an important passage in it, relating to the invention of the Art of Printing with Metal Types, which merits very particular attention; and which has been referred to, or quoted, by bibliographers for nearly the two last centuries...  The rarity of this Chronicle is sufficiently attested by bibliographers, even without noticing that Hartz and Buder... who wrote expressly upon German affairs, had no knowledge whatever of it; and Naudaus doubted its existence. I am disposed to think there are not three copies of it in this country..."–Dibdin Folio. Contemporary tooled half-leather over oak boards. 354 (of 368) leaves. This copy lacking first 12 leaves, containing the first title and the register (index). Second title toned and laid down. Some toning and staining. Woodcut illustrations throughout. A sound copy. VERY RARE.



FIRST EDITION, SIGNED BY FRIEDLANDER. Beautifully illustrated with reproductions of Friedlander's photographs of the monuments of America. Oblong folio, black-stamped green cloth with gilt detail, triple screw-post binding. A fine copy. 



"Aunt Annie's alligator. . . . . . . A . . a . . A"FIRST EDITION, FIRST ISSUE. Near fine or better in an exceptionally bright, unclipped dust jacket. A superb copy.


Isaac Ware's Complete Body of Architecture, 1756 FIRST EDITION

FIRST EDITION, FIRST ISSUE, with plate numbers within the plate lines and the plate at 70-71 uncorrected and reading“Warwick Shire”.“We hope to lay down in one body the whole science of architecture, from its first rudiments to its utmost perfection; and that in a manner which shall render every part of it intelligible to every reader; to acquaint the gentleman with what, on every possible occasion, he should design in his edifice; and to instruct the practical builder in not only what he ought to do, but how he should execute it, to his own credit, and to the advantage of the owner.” –Isaac Ware, Complete Body of Architecture“The modern concept of architecture as a profession was formed after about 1750 ... [the] two major books of English professional architectur- al instruction of the eighteenth century [were] Ware’ Complete Body of Architecture and Sir William Chambers’s Treatise on Civil Architecture” (Studies in Eighteenth-Century British Art and Aesthetics).Folio, full contemporary calf, elaborately gilt spine in seven pan- els. Engraved frontispiece, title in red and black with engraved vignette, engraved head-piece and 114 plates (many of them fold- ing). Boards lightly rubbed, skillful repairs at hinges and spine ends, clean throughout. An excellent copy.



SIGNED BY ULYSSES S. GRANT AS PRESIDENT OF THE UNITED STATES.Partly-printed vellum document signed, “U.S. Grant,” as president. Military commission appointing H. Schuyler Ross a First Assistant Engineer in the Navy. Countersigned by George M. Robeson as Secretary of the Navy. Washington, 1873. Approximately 19 1/2x16 inches; slightly faded signature, usual folds, minor soiling, seal intact.



First edition (cloth issue) SIGNED by Lyon. Book fine (without remainder mark), dust jacket with small tear at heel of spine, small closed tear to top of front panel, faint crease to front flap. 



SCARCE FIRST EDITION, SIGNED BY GERNSBACK, of one of the foundational texts in science fiction."In April 1911 'Modern Electrics' began serializing Gernsback's Ralph 124C 41+, written to exemplify (Gernsback's) contention that fiction could serve to teach science... Thoroughly deficient as fiction, the story nevertheless predicts radar, microfilm and microfiche, tape recorders, television, wireless transmission of power, planet hormones, and weather control" (American National Biography).Ralph 124C 41+ was published when many other magazines were struggling, and it led Gernsback to almost single-handedly establish a place for science fiction stories, as he allowed contemporary writers space in his science magazines. The success of these stories may have induced Gernsback to create the first science fiction magazine, Amazing Stories, which started publication the year after Ralph 124C 41+ was printed in book form. The Hugo Awards, science fiction's most prestigious prize, were named in honor of Hugo Gernsback.Signed on the front free endpaper. Octavo, original blue cloth
with gilt lettering, original dust jacket. Bookplate of Roy V. Hunt, editor and artist for the science fiction magazine The Alchemist on front pastedown. Book fine with cloth exceptionally bright; original dust jacket with some tape reinforcement at verso edges; closed tear at top of front panel and very minor edgewear. Rare signed. 



FIRST EDITION, PRESENTATION COPY, INSCRIBED BY LOWRY TO MONTGOMERY EVANS on the front free endpaper: To Montgomery Evans / from Malcolm Lowry-33 / Inglewood / Caldy Westkirby / Wirral / Cheshire. Provenance: Library of Roger Rechler (lot 203); Montgomery Evans (presentation inscription and bookplate).


Les Liasons Dangereuses, Black Sun Press Edition of 1929

LIMITED EDITION, 1/1000 COPIES. Folio. Two volumes. Original paper wrappers printed in red and black. Original glassine. Complete with 14 plates by Alastair. An outstanding set with light wear to glassine wrappers. 



"Hope faded as his radius of vision grew and the screen remained empty. Again and again he called into the lonely silence, while grief and helplessness strove for the mastery of his soul."FIRST EDITION, review copy. In a departure from Arthur C. Clarke's usual medium of outer space, The Deep Range is a novel of the sea, and shows off Clarke's "impressive talents as astronomer, deep-sea naturalist, and novelist" (from the dust jacket). Octavo, original green boards, original dust jacket. With review slip tabbed in. Book fine, light edgewear to dust jacket.



FIRST EDITION of Ishiguro's highly acclaimed first novel. Winner of the 1982 Winifred Holtby Memorial Prize. LONDON: FABER & FABER, 1982. Octavo, original cloth, original dust jacket; custom half-morocco box. Book fine, a touch of fading to dust jacket spine, otherwise fine. A beautiful copy. 



FIRST EDITION, with the original dust jacket. Inscribed and presented by the legendary Hugh Edwards, one of the most influential curators of photography in America. Edwards was one of the first curators to grant Evans solo exhibitions and is credited with elevating the Art Institute of Chicago’s department of photography to world class status.The identity of the recipient, Bobby Evans, is unknown. The inscription includes a lengthy quotation from Thomas Wolfe’s Of Time and the River.Small quarto, original black cloth, original dust jacket. Book near fine with a light spotting to a some plates, dust jacket very good; spine slightly toned; some wear with loss at spine head. A very good copy with a distinguished provenance. 


Ian Fleming's The Man With the Golden Gun, FIRST EDITION

James Bond drank down the rest of his beer and got slowly to his feet. He walked towards Scaramanga and was about to pass him when the man reached out a languid left arm and caught him at the biceps. He held the snout of his gun to his nose, sniffing delicately. The expression in the dead brown eyes was far-away. He said, 'Mister, there's something quite extra about the smell of death. Care to try it?' He held out the glittering gun as if he was offering James Bond a rose...FIRST EDITION, second state (as usual), without the rare gilt golden gun on the front board. Octavo, original black cloth, original dust jacket. A FINE COPY.


1804 edition of Sir William Hamilton's work on Greek, Roman and Etruscan Vases

1804 edition of Hamilton's celebrated Outlines from the Figures and Compositions upon the Greek, Roman and Etruscan Vases, illustrated with 62 engraved plates.  Quarto. Half-title, 62 engraved plates by Kirk (uncoloured). Handsomely bound in quarter calf over vellum boards. Text and plates clean, small split at half-title (holding). Nice copy. 


The Variation of Animals and Plants under Domestication

FIRST AMERICAN EDITION. In this work, Darwin first proposed his theory of pangenesis as the mechanism of heredity. The theory holds that body cells shed “gemmules” that collect in the reproductive organs, thus transmitting their characteristics to the next generation. Mendelʼs theory of genetics supplanted this theory in the early 1900s. Octavo, two volumes. Original green cloth. Light wear at head of both volumes; light spotting to spine of volume II. Cloth generally clean. An attractive set.



FIRST EDITION, SIGNED BY MAN RAY. A FINE COPY. "I paint what cannot be photographed, that which comes from the imagination or from dreams, or from an unconscious drive. I photograph the things that I do not wish to paint, the things which already have an existence." -Man RayOctavo, stamped blue wrappers, with the black die-cut outer wrapper. A fine copy, signed by Man Ray on the title page. A FINE COPY.


Truman Capote's In Cold Blood, FIRST EDITION, A FINE COPY

FIRST EDITION, FIRST ISSUE. Original cloth, original dust jacket. First issue dust jacket with "1/66" code on the front flap; "Publishers of the American College Dictionary and the Modern Library" on rear flap. A superb copy. 



FIRST EDITION, INSCRIBED AND SIGNED BY SHERWOOD ANDERSON. "Dear David... One incident about the writing of this book will amuse you. The murder of Jim Gibson was written at the back of a little boat-laying place in Mobile Alabama while some sailors at a nearby table discussed the divinity of Christ. Sherwood Anderson."Octavo, original blue cloth. Dust jacket lacking. Spine sunned, light wear at spine head. A handsome copy with a superb inscription. 


The Letters of T.E. Lawrence, FIRST EDITION

First edition, first state with "T.E.L." at p. 495 and "Baltic" at p. 182.  With 16 photographs and illustrations including 4 maps of which two are folding.Octavo. Original fawn polished buckram in publishers original dust jacket. A very good copy; dust jacket bright and well preserved with light soiling at spine folds. A very attractive copy. 

1733 FIRST EDITION of Isaac Newton's Observations upon the Prophecies of Daniel

FIRST EDITION of Isaac Newton's posthumously published theological interpretation of the Biblical prophecies."It has generally been assumed that the work was a product of his old age, as the treatise published was. Nevertheless, references to the prophecies filled his early theological notebook. Already in the 1670s, he believed that the essence of the Bible was the prophecy of human history rather than the revelation of truths beyond human reason unto life eternal. Already at that time he believed what he asserted later about Revelation: 'There [is] no book in all the scriptures so much recommended & guarded by providence as this.' He put that belief into practice by composing his earliest theological study. It proved to be more than a passing interest. His first full discourse contains many insertions in later hands, showing that he referred to it frequently. He composed numerous revisions of it, one of which was probably the last thing on which he was at work when he died more than fifty years later." (Richard Westfall, The Life of Sir Isaac Newton). Quarto, period style boards. Uncut, a superb copy.


A Boy's Will, Robert Frost's first volume of poetry, FIRST EDITION

FIRST EDITION, in the rare first-issue binding ("binding A"), of Robert Frost's first book of poetry. "By 1911 Frost was fighting against discouragement. Poetry had always been considered a young person's game, but Frost, who was nearly 40 years old, had not published a single book of poems and had seen just a handful appear in magazines. In 1911 ownership of the Derry farm passed to Frost. A momentous decision was made: to sell the farm and use the proceeds to make a radical new start in London, where publishers were perceived to be more receptive to new talent. Accordingly, in August 1912 the Frost family sailed across the Atlantic to England. Frost carried with him sheaves of verses he had written but not gotten into print. English publishers in London did indeed prove more receptive to innovative verse, and, through his own vigorous efforts and those of the expatriate American poet Ezra Pound, Frost within a year had published A Boy's Will (1913). From this first book, such poems as 'Storm Fear,' 'Mowing,' and 'The Tuft of Flowers' have remained standard anthology pieces" (Britannica).Octavo, original bronzed brown cloth with upper cover title in gilt. A fine copy. RARE. 



FIRST EDITION of Arthur Miller's masterpiece. A very good copy in the original cloth and the original dust jacket. Jacket with light wear at spine, extremities. Overall a very attractive copy of this landmark work. 


William of Auvergne's Rhetorica divina, the 1500 THIRD EDITION

THIRD EDITION of William of Auvergne's meditation on the subject of prayer. This work was first published in 1491 and again in 1492.Octavo. 152 printed leaves. Beautifully rebound in (early) printed leaf over boards with vellum manuscript leaves on paste-downs. Printers device on title and verso of final leaf; rubricated in red and blue. Small hole to margin of first few leaves; occasional light dampstaining to margins; a superb and quite desirable copy.



FIRST KELMSCOTT PRESS EDITION, ONE OF ONLY 250 COPIES ON PAPER (from an edition of 258). The Kelmscott Press "was far and away the most splendid of all private presses... quite without a peer." -Colin Franklin, The Private Presses Beautifully printed in red and black in Golden type. Exquisitely illustrated by William Morris with woodcut title page, first page (borders), and decorated initials throughout. Hammersmith: Kelmscott Press, 1895 [issued 1896]. Small quarto, original limp vellum, yapp edges, gilt spine title, green silk ties; uncut. One tie loose, else fine.



FIRST EDITION, SIGNED BY ANNIE LEIBOVITZ."I hate the word 'celebrity.' I've always been more interested in what people do than who they are, and I hope that my photographs reflect that. I have the opportunity to work with people who are the best actors, and writers, and athletes, and dancers--a broad spectrum. I feel like I'm photographing people who matter, in one way or another. I'm photographing my time."–Annie Leibovitz, in an interview with Literal MagazineFolio, original photo-pictorial boards, original glassine. Minor tears at extremities of rear glassine wrapper. A lovely copy.


FIRST EDITION of Sander’s classic, one of the most influential photobooks of the early twentieth-century. SIGNED AND INSCRIBED BY SANDER.August Sander “was part of a coterie of photographers who established the photographic book as an aesthetically and commercially viable art form in the 1920s. Though Sander had published one such book in 1924, Unsere Heimat, Hannover, it was the 1929 publication of Antlitz der Zeit (The Face of Our Time) that propelled him into enduring fame” (Warren, Encyclopedia of Twentieth-Century Photography). “Many of his classic images are included in this seminal photobook, and the essential qualities of Sander’s vision can be seen. He took typical examples of professions, trades and social classes in Weimar Germany, and photographed them in their familiar environments in order to build up, piece by piece, a dispassionate image of the ‘face’ of society… One of his work’s miracles is how, despite his nominal objectivity, his political view shines through… His work is not neutral. It is not just penetrating, but was seen as positively dangerous, a little too acute in its analysis of society and class, by those with certain vested interests. This is made clear by the fact that when the Nazis came to power in Germany in 1933, publisher’s copies of Antlitz der Zeit were seized, the plates destroyed, and the negatives confiscated by Hitler’s Ministry of Culture” (The Photobook, I.124). Roth 52. Quarto. Original yellow cloth, original dust jacket. Signed and inscribed by Sander. Scarce original dust jacket with small chips at spine ends and extremities, and significant tears with loss at bottom portion of spine and front cover and at top of dust jacket rear (1"x4"). 

Price On Request


Pre-publication edition, SIGNED by Soth. Number 26 or 30 numbered copies. With original Inkjet prints bound into cloth covers. Gilt stamped brown cloth with an original photograph mounted on front cover. Fine copy.


NONESUCH PRESS EDITION of Robert Burton's The Anatomy of Melancholy

LIMITED EDITION, one of 750 copies. p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 14.0px Times; color: #424242; -webkit-text-stroke: #424242} span.s1 {font-kerning: none} All I can say is that most modern books weary me, but Burton never does...His writing is like talk, learned but earthy, and once he starts, he is hard to stop...That he was a humorist in our sense of the word we need no biographical facts to attest: The Anatomy of Melancholy is, by a magnificent and somehow very English irony, one of the great comic works of the world.— Anthony Burgess   Two volumes. Quarto. Original vellum-backed decorative
boards. Printed on Dutch paper. An excellent set, clean throughout. 



"A global environmental crisis threatens to overwhelm our children's generation. Mitigating the crisis will require a planetary perspective, long-term thinking, political courage and savvy, eloquence and leadership––all of which are in evidence in Al Gore's landmark book."–Carl SaganFIRST EDITION, SIGNED AND INSCRIBED BY AL GORE: "For the grandchildren of Sally and Paul Robinson". A fine copy in the original dust jacket. 



SIGNED LIMITED FIRST EDITION of Yeats's autobiographical work; one of only 1000 copies signed by Yeats. "Looking back from 1922, [Yeats] titled his autobiographical account of the decade of the 1890s The Trembling of the Veil. He recalled that Mallarme has said that 'his epoch was troubled by the trembling of the veil of the Temple,' and that 'as those words were still true, during the years of my life described in this book,' he had named it accordingly" (The Cambridge Companion to W.B. Yeats).Octavo, original half parchment over light green boards; original dust jacket. Dust jacket spine with light wear at the spine (slightly affecting label) and minor toning. An excellent copy. 



"What you have lost will not be returned to you; it always be lost. You’re left with only your scars to mark the void. All you can choose to do is go on, or not. But if you go on, it’s knowing you carry your scars with you."FIRST EDITION, SIGNED BY CHARLES FRAZIER. A superb copy. 


Hugnet's La Septieme face du de, FIRST EDITION

FIRST EDITION. “In Hugnet’s photocollages, and notably in his book La Septième Face du dé, composed of twenty poèmes-découpages, truncated limbs proliferate – female legs detached, crossed, spread-eagled, legs juxtaposed with large breasts or seashells, or multiple legs forming a rosace shape… The mechanism of duplication (or multiplication), characteristic of Hugnet’s collages, does in fact transform the body into fetishistic fragments, which are explicitly encoded as simulacra in the schematic outline which reduces the body to a flat disembodied sign of femininity” –Elza Adamowicz, Surrealist Collage in Text and Image: Dissecting the Exquisite CorpseFolio. 20 black and white photo-collages, some with colour, printed on white paper. Original pale-green card covers, designed by Marcel Duchamp, sewn in Japanese style with black thread. Near-fine, slightest rubbing at extremeties. Custom box. 



FIRST EDITION, FIRST PRINTING of Miller's fourth novel in the original wrappers. With the scarce errata slip tipped-in; 60 Francs on the spine and front flap.  Moderate expert restoration at spine head and joints. Overall a very handsome copy. 



FIRST EDITION OF SENDAK'S THIRD BOOK, SIGNED AND INSCRIBED BY SENDAK. Gilt lettered red cloth, original dust jacket ($12.95 on front flap). Outside Over There is Sendak's story of Ida, a pre-adolescent girl who must contend with sibling jealousy, new responsibilities and goblins who kidnap her young sister. A splendid copy, with Sendak's enchanting illustrations. 



"Love is all the dirty little tricks you taught me that you probably got out of some book."FIRST EDITION. Original cloth, original dust jacket. A very good copy; jacket bright and well preserved with light rubbing, edgewear and a patch of discoloration on verso only. A very handsome copy. 



FIRST EDTION, THE EXTREMELY RARE HARDCOVER ISSUE; one of an estimated fifty copies bound for presentation. “[T]his is an almost perfect monograph. It begins and ends with Sommer’s exquisite abstractions, and includes some of the best examples of Sommer’s work in portraiture, collage, landscape, and still life to date. Every two-page spread reveals something more about the images through their juxtaposition. And then there is the text. It is very unusual to have writing at this level, uninfected with either sentimentality or pomposity, from an American photographer, but what’s more unusual is to have an artist who makes images and text and can combine them in a way that deepens and extends the effects of each. This early enactment of Sommer’s ideas about the workings of linguistic and pictorial logic is a gem” (David Levi Strauss. The Book of 101 Books). Roth 101.Complete with 30 black and white photographs. New York: Aperture, 1962. Small folio (235x205mm), original white cloth with black lettering. Only a few spots of soiling to cloth. A magnificent copy. 


John James Audubon's THE BIRDS OF AMERICA

American Heritage Publishing Co., New York, 1966. First edition. Folio. Two volumes. With an introduction by Marshall B. Davidson. Reproduced in color for the first time from the collection at the New York Historical Society. Both volumes fine in publisher's slipcase.

"A pioneering work in the field of archaeological methodology"

FIRST EDITION, illustrated with 208 beautiful copper-plate engravings and numerous in-text illustrations and vignettes.Winckelmann is best known for his monumental Geschichte der Kunst des Altertums (History of the Art of Antiquity, 1764), which enjoyed tremendous popular success and permanently reshaped aesthetic criticism. The Monuments, his last published work, stands by itself as "a masterpiece of interpretation and explanation" and "a pioneering work in the field of archaeological methodology" (Catholic Encyclopedia; Lappmann).  Significantly, it is also the only one of Winckelmann's works published in his lifetime to be extensively illustrated.  Folio, contemporary vellum with original red leather label, decorated endpapers. Two volumes in one. Text in Italian. Bookplates. Light wear to binding, very small library number on dedication leaf, small tear to endpaper. Occasional light foxing. Plates very clean. A superb, wide-margined copy in contemporary vellum of the beautifully-illustrated first edition.



FIRST EDITION, SIGNED BY MONDRIAN IN ORIGINAL WRAPPERS. 14 pp. Octavo. Original wrappers. Signed and incribed in pencil by Mondrian on title. Small chip at head of spine, small stain on front wrapper. VERY RARE SIGNED.


1551 EDITIO PRINCEPS of Appian's Histories of the Roman wars

EDITIO PRINCEPS of Appian's histories of the various Roman wars from the earliest times to the campaigns of Trajan. Folio. 18th-century calf recently rebacked. Title leaf laid down and repaired; lower blank corners of last four leaves repaired (not affecting text). Greek type; Estienne's basilisk device as Royal Greek Printer on title; foliated and grotesque Greek initials with matching headpieces. An attractive copy.



"Painting relates to both art and life. Neither can be made. (I try to act in that gap between the two.)" –Robert RauschenbergFIRST EDITION, BOLDLY SIGNED BY ROBERT RAUSCHENBERG. Original orange cloth, original dust jacket. With 200 illustrations including 92 color plates. 


"The grandfather of pictorial histories, this mammoth work is a necessary part of any Civil War library. The work contains 3,389 images that constitute an important source on the war's appearance—its battlefields, common soldiers, officers, forts, diseases, camp scenes, army movements, and materiel." Eicher, The Civil War in Books 771."The greatest single collection of Brady illustrations" (Allan Nevins). The Mathew Brady photographs represent the first instance of a comprehensive photo-documentation of a war. New York: The Review of Reviews, 1911. Quarto, original blue cloth gilt. Ten volumes. An exceptional set, gilt uncommonly bright. Only occasional trivial wear to bindings. Very rare in this condition.



First edition, SIGNED and INSCRIBED by Man Ray: "for Arnold and Gus Newman affectionately Man Ray 1963". With an original line drawing by Man Ray and Newman's notations on front endpaper. An important association copy.



LIMITED EDITION, WITH TWO SIGNED COLOR ETCHINGS BY MAX ERNST, and 25 additional color lithographs; one of only 250 copies (out of a total edition of 320). An evocative collaboration between the surrealist poet Prevert and the surrealist artist Ernst. The Livre d'Artiste in the Twentieth Century 46. Large folio, loose as issued in original lithographed paper wrappers; original buckram clamshell box. Fraying to box edges, some foxing to wrappers; interior and plates fine.



FIRST EDITIONS. "To this task Gibbon brought a width of vision and a critical mastery of the available sources which have not been equalled to this day; and the result was clothed in an inimitable prose" (PMM, 222). Six volumes. Quarto. Contemporary tan calf rebacked with old red and green lettering-pieces laid down, gilt in compartments. Engraved portrait frontispiece in Vol. I, 2 folding maps in Vol. II, 1 folding map in Vol. III, without half-titles in Vols. II and III, others present. Frontispiece slightly foxed as usual, some offsetting, a few gatherings slightly foxed, a very good set. With portrait frontispiece of Gibbon (in vol. I), 1 folding map of Europe adjacent to Constantinople (in vol. II) 1 folding map of the Eastern Roman Empire and 1 folding map of the Western Roman Empire (in vol. III). The portrait of Gibbon "engraved by Joseph Hall from an original picture painted by Sir Joshua Reynolds" published by Strahan and Cadell in 1780 and issued with the second volume, has been moved by the binder to the appropriate place, at the beginning of vol. I. That volume is in the second of two variant states, without the cancels X4 and a4.


Thomas Hardy's Wessex Tales, FIRST EDITION

FIRST EDITION, 1/634 COPIES, IN THE PUBLISHER'S CLOTH BINDING.Two volumes. Octavo, original green cloth with gilt spine titles. Edges uncut. Light wear to cloth at oints and extremities, corners slightly bumped, spine somewhat cocked. Elegant bookplate at front pastedowns. Cloth clean and bright, text clean. An excellent copy housed in custom slipcase and chemise.


Marc Chagall's Jerusalem Windows, A SUPERB COPY OF THE FIRST EDITION

FIRST EDITION in English, beautifully illustrated with 104 plates (64 in full color), and TWO ORIGINAL COLOR LITHOGRAPHS done expressly for this edition.  "All the time I was working, I felt my father and my mother were looking over my shoulder, and behind them were Jews, millions of other vanished Jews of yesterday and a thousand years ago." –Chagall, on the creation of The Jerusalem Windows Chagall's Jerusalem Windows illustrates and chronicles the creation of the famous twelve stained glass windows, one for each of the twelve tribes of Israel, designed by Chagall for the Hadassah-Hebrew University Medical Center Synagogue in Jerusalem. Text and Notes by Jean Leymarie. Original red cloth, original pictorial dust jacket. Without the rarely seen publisher's slipcase. Book fine, dust jacket near-fine with only a little edgewear. 


1/1200 copies, SIGNED AND INSCRIBED by Paul Eluard on the half-title.

"Although Man Ray participated in and produced hundreds of fruitful collaborative works in his life, Facile must be ranked among the most successful." --Roth, 101 BooksNumber 623 of 1200 copies on vein, SIGNED AND INSCRIBED by Paul Eluard on the half-title.Quarto, original wappers; custom half-morocco box. First gathering loose, a hint of wear to wrapper edges. A fine copy.



RACKHAM, ARTHUR; SWINBURNE, ALGERNON CHARLES.The Springtide of Life. Poems of Childhood by Algernon Charles Swinburne.SIGNED LIMITED FIRST EDITION, number 354 of only 765 copies signed by illustrator Arthur Rackham. Beautifully illustrated collection of Swinburne's children's poems, with nine mounted colored plates and 52 black and white drawings. One reason why Swinburne never brought out such a collection was his failure to find an artist who could interpret to his satisfaction the simplicity and freshness of his verses. We are fortunate in having secured, in Mr. Arthur Rackham, one whose delicate and romantic fancy is in sensitive harmony with Swinburne's, and who understands, no less than he did, ho 'Heaven lies about us in our infancy.'" –Edmund Gosse, Preface Quarto, original half vellum over parchment boards with gilt designs. Some soiling to endpapers, binding with only the slightest soiling; an exceptionally clean copy. 


FIRST EDITION of de Broglie’s Theory of the Wave-Particle Duality of Matter (PMM 417)

FIRST EDITION IN ORIGINAL WRAPPERS of de Broglie’s presentation of his revolutionary theory of the wave-particle duality of matter. PMM 417.De Broglie’s work “served as the basis for developing the general theory nowadays known by the name of wave mechanics, a theory which has utterly transformed our knowledge of physical phenomena on the atomic scale.”Octavo, original printed wrappers; custom cloth box. Modest bookplate on inside front wrapper; tape repair to initial blank. Minor discoloration to wrapper edges; an excellent copy.



FIRST HARDCOVER EDITION, SIGNED BY LARRY CLARK, fully illustrated with reproductions of Clark's raw photographs. "I was born in Tulsa, Oklahoma in 1943. When I was sixteen I started shooting amphetamine. I shot with my friends everyday for three years and then left town but I've gone back through the years. Once the needle goes in it never comes out."“The initial shock of Tulsa was that it was photographed from inside the story, and this changed everything.” –Andrew Roth, The Book of 101 PhotobooksClark's groundbreaking first book was originally issued as a paperback in 1971. Quarto, original cloth, original dust jacket. Fine condition.


Ian Fleming's The Spy Who Loved Me, FIRST EDITION

FIRST EDITION of the tenth book in the James Bond series.Octavo. Original cloth, original dust jacket. Book near-fine, leaning very slightly; with elegant bookplate on front pastedown. Dust jacket unusually bright with very light toning; very trivial traces of wear. A lovely copy. 


Ian Fleming's Thunderball, FIRST EDITION of the ninth book in the James Bond series

FIRST EDITION of the ninth book in the James Bond series, in colorful "skeleton" dust jacket designed by Richard Chopping. Octavo, original black cloth with blind-stamped skeletal hand, original dust jacket. Book fine, small bookseller sticker at lower front paste down, dust jacket light toning at spine, small closed tear at spine head, small residue on back cover. A very good copy. 



FIRST EDITION, one of only 100 copies, SIGNED AND INSCRIBED BY GINSBERG. Signed and inscribed on title: "for Michael Rumaker / Allen Ginsberg / this historic particular copy of Howl which his eyes read for / Black Mt Review #7 / Signed White Plains N.Y. / March 12, 1976". Ginsberg also added 20 "ah"'s along the bottom of the page. With large flower and sun drawing by Ginsberg across title. Rumaker's ownership signature at top of page. WITH: The original issue of The Black Mountain Review #7 in which Rumaker's review of "Howl" appears. "In October 1955 Ginsberg read the first part of his new poem ['Howl'] in public for the first time to tumultuous applause at the Six Gallery reading in San Francisco with the local poets Kenneth Rexroth, Gary Snyder, Michael McClure, Philip Whalen, and Philip LaMantia. Journalists were quick to herald the reading as a landmark event in American poetry, the birth of what they labeled the San Francisco Poetry Renaissance. Lawrence Ferlinghetti, who ran the City Lights Book Store and the City Lights publishing house in North Beach, sent Ginsberg a telegram echoing Ralph Waldo Emerson's response to Walt Whitman's Leaves of Grass: 'I greet you at the beginning of a great career. When do I get the manuscript?' Later Ginsberg wrote that 'in publishing 'Howl,' I was curious to leave behind after my generation an emotional time bomb that would continue exploding in U.S. consciousness in case our military-industrial-nationalist complex solidified into a repressive police bureaucracy' (Original Draft Facsimile Howl, p. xii). "Early in the following year Howl and Other Poems was published with an introduction by William Carlos Williams as number four in the City Lights Pocket Poets Series. In May 1956 copies of the small black-and-white stapled paperback were seized by the San Francisco police, who arrested Ferlinghetti and Shigeyoshi Murao, his shop manager, and charged them with publishing and selling an obscene and indecent book. The American Civil Liberties Union took up the defense of Ginsberg's poem in a highly publicized obscenity trial in San Francisco, which concluded in October 1957 when Judge Clayton Horn ruled that Howl had redeeming social value" (American National Biography). Introduction by William Carlos Williams. The Pocket Poets Series: Number Four. Small quarto, original printed wrappers; custom cloth box. Small quarto, original wrappers; custom box housing both Howl and The Black Mountain Review. A little toning to spine (as usual) and a small abrasion to rear cover. Overall an exceptionally fresh, clean beautiful copy.

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