President Truman on freedom, peace, prosperity and international cooperation
“There is not going to be any short-cut to preserving our own freedom or securing the peace fo the world through international cooperation of free and peaceful nations… …I am confident that the American people have never been more strongly united in their determination to preserve our own freedom and to aid friendly nations… …Our actions in the days ahead must reflect that unity and I am confident that all of you will do your utmost to see to it that a united American people overcome the obstacles and dangers which lie between us and our common goal of a just and lasting peace.” TRUMAN, Harry S. Typed Letter Signed. Washington, DC, November 20, 1950. A substantial letter with excellent content from President Truman addressed to Dwight R.G. Palmer, an executive of the Democratic National Committee. In this remarkable letter President Truman makes a forceful and earnest request for support in building a secure and lasting peace in the early post-war period. This letter reflects what historians regard as President Truman’s greatest achievement, i.e., his success in building a secure and stable peace after the Second World War.
"It’s the gas station, that’s the important thing"
“The photography by itself doesn’t mean anything to me: it’s the gas station, that’s the important thing” An exceptional private collection of the artist books of Ed Ruscha. First editions, many signed.
First edition, signed by David MametNew York, 1976
FIRST EDITION, hardcover issue, SIGNED BY MAMET on dedication page. Winner of the 1976 Obie Award and the New York Drama Critics’ Circle Award for Best American Play of 1977; made into a 1996 film starring Dustin Hoffman. Octavo, original yellow cloth, original dust jacket; custom half-morocco box. A FINE COPY.
First edition, with a lengthy inscription by Sherwood AndersonNew York, 1920
FIRST EDITION, INSCRIBED AND SIGNED BY SHERWOOD ANDERSON. “Dear David… One incident about the writing of this book will amuse you. The murder of Jim Gibson was written at the back of a little boat-laying place in Mobile Alabama while some sailors at a nearby table discussed the divinity of Christ. Sherwood Anderson.” Octavo, original blue cloth. Dust jacket lacking. Spine sunned, light wear at spine head. A handsome copy with a superb inscription.
First edition, inscribed by John FanteNew York: , 1938
FIRST EDITION, INSCRIBED on the front endpaper. “For Miss Fowler, who taught me all about radio, –– with all good luck / John Fante” Octavo, original cloth, dust jacket. An excellent copy in a superb dust jacket with only minor toning to rear panel.
Signed by Walt WhitmanWashington, D.C. , 1872
FIRST EDITION, SIGNED BY WHITMAN. “As a Strong Bird on Pinions Free”, before becoming the final addition to the final edition of Leaves of Grass, was published independently by Whitman in 1872, twenty years before the poet’s death. The title poem was written as a commencement for Dartmouth College as one of the few pieces Whitman recited publicly. With large Whitman signature across title page. Octavo, original dark green cloth; custom half-morocco box. Minor discoloration to pastedowns. a little fraying to spine ends and corners.
FIRST EDITION of Kerouac's first novel SIGNED AND INSCRIBED by KerouacNew York, 1950
FIRST EDITION of Kerouac’s first novel SIGNED AND INSCRIBED by Kerouac to Judge Vincent Lupiano who performed the wedding service for Kerouac’s marriage to Joan: “A thousand thanks for tying my marital knot–Best luck in all the world to you & yours–Sincerely, Jack Kerouac and his new missus, Joan”. With letter of provenance from Lupiano’s son. “For too many readers, and critics as well, Kerouac begins and ends with On the Road, yet he had already been writing and publishing for years when he produced the seminal Beat text… Readers who are interested in understanding Kerouac’s themes and methods, as well as his place in American literature, owe it to themselves to start with Kerouac’s first book” (Michael J. Dittman, Jack Kerouac: A Biography). With “Compliments of the Author” card laid-in. Inscribed on the front free endpaper. Octavo, original red cloth, original dust jacket; custom box. Book very good, dust jacket with mild edgewear and some foxing to rear panel.ker
From the library of Norman MailerNew York, 1948
FIRST EDITION, MAILER’S OWN COPY. SIGNED AND INSCRIBED: “from my library / Norman Mailer” on half-title. With letter of provenance from Mailer’s nephew Peter Alson. Written when Mailer was just twenty-five, The Naked and the Dead is one of the classic novels of World War II. Both a critical and commercial success (it remained at the top of The New York Times best-seller list for eleven weeks), it launched Mailer’s career and remains one of the most influential American novels of the century. Octavo, original cloth, original dust jacket; custom half-morocco box. Book fine, dust jacket a little toned at flaps, some rubbing to extremities.
First Edition of Beckett's En attendant Godot, SIGNED BY BECKETTParis: , 1952
First edition SIGNED BY SAMUEL BECKETT. Octavo, original wrappers; custom half-leather box. Text in French. Some browning and rubbing to spine.
New York, 1975
FIRST EDITION, INITIALED BY WARHOL ON HALF-TITLE. New York: Harcourt Brace Jovanovich, 1975. Octavo, original cloth, original dust jacket. A fine copy in a very good dust jacket (slight blistering to jacket).
New York, 1928
SIGNED LIMITED FIRST EDITION, one of 800 copies signed by Woolf. “Virginia Woolf’s novel about Vita Sackville-West represented a turn from the kind of experimentation in life in which she could not wholly let herself go to the kind of venture in art where she could be wholeheartedly involved” (Ralph Freedman, Virginia Woolf: Revaluation and Continuity, A Collection of Essays). Orlando came as a great departure from Woolf’s other novels—less carefully written, and “in some ways foolish—a novelist’s holiday rather than a novel” (ibid.). It was, indeed, less of a novel, than “the longest and most charming love letter in literature” (Nigel Nicholson). Precedes the first UK edition. Krikpatrick A11a. Signed on verso of half-title. Octavo, original elaborately gilt-decorated cloth; custom cloth box. Fading to cloth (about an inch in from the edges on the front board, less on rear) and fraying to edges. A very good copy.
[New York], 1978
“Avedon gravitates to those moments in which the oscillation between pretense and revelation is most intense. The subject of any of his photographs is likely to show in part isolation or grotesquerie, courage to the point of madness, isolation-and-defiance or sly amusement, desolation and wit, pride and sterility, pride and triumph. Victories, defeats mingle in the same moment sometimes or on adjoining pages…” –Harold Brodkey (from the Introductory Essay). FIRST EDITION. A spectacular production illustrated with Avedon’s photographs of Lauren Bacall, Joan Baez, Bridget Bardot, Audrey Hepburn, Anjelica Houston, Janis Joplin, Sophia Loren, Marilyn Monroe, Yves Saint Laurent, Elizabeth Taylor, Diana Vreeland and many more. A near fine copy with the original acetate jacket in very good condition with wear and chip at the top of the spine. An excellent copy signed and inscribed by Avedon.
Signed by Arthur RackhamLondon, 1918
RACKHAM, ARTHUR; SWINBURNE, ALGERNON CHARLES. The Springtide of Life. Poems of Childhood by Algernon Charles Swinburne. SIGNED LIMITED FIRST EDITION, number 354 of only 765 copies signed by illustrator Arthur Rackham. Beautifully illustrated collection of Swinburne’s children’s poems, with nine mounted colored plates and 52 black and white drawings. One reason why Swinburne never brought out such a collection was his failure to find an artist who could interpret to his satisfaction the simplicity and freshness of his verses. We are fortunate in having secured, in Mr. Arthur Rackham, one whose delicate and romantic fancy is in sensitive harmony with Swinburne’s, and who understands, no less than he did, ho ‘Heaven lies about us in our infancy.'” –Edmund Gosse, Preface Quarto, original half vellum over parchment boards with gilt designs. Some soiling to endpapers, binding with only the slightest soiling; an exceptionally clean copy.
FIRST EDITION, PRESENTATION COPY, INSCRIBED BY LOWRY TO MONTGOMERY EVANS on the front free endpaper: To Montgomery Evans / from Malcolm Lowry-33 / Inglewood / Caldy Westkirby / Wirral / Cheshire. Provenance: Library of Roger Rechler (lot 203); Montgomery Evans (presentation inscription and bookplate).
Allen Ginsberg's Howl, an exceptionally important association copySan Francisco, 1956
FIRST EDITION, one of only 100 copies, SIGNED AND INSCRIBED BY GINSBERG. Signed and inscribed on title: “for Michael Rumaker / Allen Ginsberg / this historic particular copy of Howl which his eyes read for / Black Mt Review #7 / Signed White Plains N.Y. / March 12, 1976”. Ginsberg also added 20 “ah”‘s along the bottom of the page. With large flower and sun drawing by Ginsberg across title. Rumaker’s ownership signature at top of page. WITH: The original issue of The Black Mountain Review #7 in which Rumaker’s review of “Howl” appears. “In October 1955 Ginsberg read the first part of his new poem [‘Howl’] in public for the first time to tumultuous applause at the Six Gallery reading in San Francisco with the local poets Kenneth Rexroth, Gary Snyder, Michael McClure, Philip Whalen, and Philip LaMantia. Journalists were quick to herald the reading as a landmark event in American poetry, the birth of what they labeled the San Francisco Poetry Renaissance. Lawrence Ferlinghetti, who ran the City Lights Book Store and the City Lights publishing house in North Beach, sent Ginsberg a telegram echoing Ralph Waldo Emerson’s response to Walt Whitman’s Leaves of Grass: ‘I greet you at the beginning of a great career. When do I get the manuscript?’ Later Ginsberg wrote that ‘in publishing ‘Howl,’ I was curious to leave behind after my generation an emotional time bomb that would continue exploding in U.S. consciousness in case our military-industrial-nationalist complex solidified into a repressive police bureaucracy’ (Original Draft Facsimile Howl, p. xii). “Early in the following year Howl and Other Poems was published with an introduction by William Carlos Williams as number four in the City Lights Pocket Poets Series. In May 1956 copies of the small black-and-white stapled paperback were seized by the San Francisco police, who arrested Ferlinghetti and Shigeyoshi Murao, his shop manager, and charged them with publishing and selling an obscene and indecent book. The American Civil Liberties Union took up the defense of Ginsberg’s poem in a highly publicized obscenity trial in San Francisco, which concluded in October 1957 when Judge Clayton Horn ruled that Howl had redeeming social value” (American National Biography). Introduction by William Carlos Williams. The Pocket Poets Series: Number Four. Small quarto, original printed wrappers; custom cloth box. Small quarto, original wrappers; custom box housing both Howl and The Black Mountain Review. A little toning to spine (as usual) and a small abrasion to rear cover. Overall an exceptionally fresh, clean beautiful copy.
Signed by D.H. Lawrence, 1/500 copiesLondon, 1929
“So I should wish these Pansies to be taken as thoughts rather than anything else; casual thoughts that are true while they are true and irrelevant when the mood and circumstances changes. I should like them to be as fleeting as pansies, which wilt so soon, and are fascinating with their varied faces, while they last. And flowers, to my thinking, are not merely pretty-pretty. They have in their fragrance an earthiness of the humus and corruptive earth from which they spring. And pansies, in their streaked faces, have a look of many things besides hearts-ease.” – D.H. Lawrence “Lawrence himself never took Pansies as seriously as his hostile critics, as his two introductions make clear: he called them ‘rag poems’” (Keith Sagar, The Art of D.H. Lawrence). Nevertheless, this unexpurgated edition, considered by Lawrence to be complete with the full introduction and fourteen additional poems, was published privately due to concerns about pornography. The manuscript had recently been seized by the English police for suspicions of obscenity, which Lawrence took as an insult and perhaps prompted the publication of this and another edition of 500 copies. PRIVATELY PRINTED FIRST EDITION, number 48 of only 50 copies SIGNED BY LAWRENCE. Octavo, with frontispiece portait of Lawerence printed in brown. Title designed by W.G. West, printed in brown and blue, on Japanese vellum. Original soft grey/blue leather decorated in blue and gold, top edges gilt, others uncut. Bookplate of John Kobler (biographer of Al Capone) on frton pastesown. Spine faded, a little soiling to boards; original slipcase with a little fading and wear at edges; custom half-morocco box with gilt decoration on front board. A very nice copy. RARE.
Signed by W.B. Yeats, 1/1000 copiesLondon, 1922
SIGNED LIMITED FIRST EDITION of Yeats’s autobiographical work; one of only 1000 copies signed by Yeats. “Looking back from 1922, [Yeats] titled his autobiographical account of the decade of the 1890s The Trembling of the Veil. He recalled that Mallarme has said that ‘his epoch was troubled by the trembling of the veil of the Temple,’ and that ‘as those words were still true, during the years of my life described in this book,’ he had named it accordingly” (The Cambridge Companion to W.B. Yeats). Octavo, original half parchment over light green boards; original dust jacket. Dust jacket spine with light wear at the spine (slightly affecting label) and minor toning. A FINE COPY in the scarce original dust jacket.
Number 623 of 1200 copies on vein, SIGNED AND INSCRIBED by Paul EluardParis, 1935
“Although Man Ray participated in and produced hundreds of fruitful collaborative works in his life, Facile must be ranked among the most successful.” –Roth, 101 Books Number 623 of 1200 copies on vein, SIGNED AND INSCRIBED by Paul Eluard on the half-title. Quarto, original wappers; custom half-morocco box. First gathering loose, a hint of wear to wrapper edges. A fine copy.
Signed and inscribed by August SanderMunchen, 1929
FIRST EDITION of Sander’s classic, one of the most influential photobooks of the early twentieth-century. SIGNED AND INSCRIBED BY SANDER. August Sander “was part of a coterie of photographers who established the photographic book as an aesthetically and commercially viable art form in the 1920s. Though Sander had published one such book in 1924, Unsere Heimat, Hannover, it was the 1929 publication of Antlitz der Zeit (The Face of Our Time) that propelled him into enduring fame” (Warren, Encyclopedia of Twentieth-Century Photography). “Many of his classic images are included in this seminal photobook, and the essential qualities of Sander’s vision can be seen. He took typical examples of professions, trades and social classes in Weimar Germany, and photographed them in their familiar environments in order to build up, piece by piece, a dispassionate image of the ‘face’ of society… One of his work’s miracles is how, despite his nominal objectivity, his political view shines through… His work is not neutral. It is not just penetrating, but was seen as positively dangerous, a little too acute in its analysis of society and class, by those with certain vested interests. This is made clear by the fact that when the Nazis came to power in Germany in 1933, publisher’s copies of Antlitz der Zeit were seized, the plates destroyed, and the negatives confiscated by Hitler’s Ministry of Culture” (The Photobook, I.124). Roth 52. Quarto. Original yellow cloth, original dust jacket. Signed and inscribed by Sander. Scarce original dust jacket with small chips at spine ends and extremities, and significant tears with loss at bottom portion of spine and front cover and at top of dust jacket rear (1″x4″).
One of the foundational texts in science fiction, signed by Hugo GernsbackBoston, 1925
SCARCE FIRST EDITION, SIGNED BY GERNSBACK, of one of the foundational texts in science fiction. “In April 1911 ‘Modern Electrics’ began serializing Gernsback’s Ralph 124C 41+, written to exemplify (Gernsback’s) contention that fiction could serve to teach science… Thoroughly deficient as fiction, the story nevertheless predicts radar, microfilm and microfiche, tape recorders, television, wireless transmission of power, planet hormones, and weather control” (American National Biography). Ralph 124C 41+ was published when many other magazines were struggling, and it led Gernsback to almost single-handedly establish a place for science fiction stories, as he allowed contemporary writers space in his science magazines. The success of these stories may have induced Gernsback to create the first science fiction magazine, Amazing Stories, which started publication the year after Ralph 124C 41+ was printed in book form. The Hugo Awards, science fiction’s most prestigious prize, were named in honor of Hugo Gernsback. Signed on the front free endpaper. Octavo, original blue cloth with gilt lettering, original dust jacket. Bookplate of Roy V. Hunt, editor and artist for the science fiction magazine The Alchemist on front pastedown. Book fine with cloth exceptionally bright; original dust jacket with some tape reinforcement at verso edges; closed tear at top of front panel and very minor edgewear. Rare signed.
Signed by Al GoreNew York, 1992
“A global environmental crisis threatens to overwhelm our children’s generation. Mitigating the crisis will require a planetary perspective, long-term thinking, political courage and savvy, eloquence and leadership––all of which are in evidence in Al Gore’s landmark book.”–Carl Sagan FIRST EDITION, SIGNED AND INSCRIBED BY AL GORE: “For the grandchildren of Sally and Paul Robinson”. A fine copy in the original dust jacket.
SIGNED BY ULYSSES S. GRANT AS PRESIDENT OF THE UNITED STATES. Partly-printed vellum document signed, “U.S. Grant,” as president. Military commission appointing H. Schuyler Ross a First Assistant Engineer in the Navy. Countersigned by George M. Robeson as Secretary of the Navy. Washington, 1873. Approximately 19 1/2×16 inches; slightly faded signature, usual folds, minor soiling, seal intact.
Signed and inscribed by William GaddisNew York, 1955
FIRST EDITION, SIGNED AND INSCRIBED BY GADDIS on front free endpaper: “Martin / Cove ab homine (ut?) / unius libri (The Recognitions) / (and with every best wish.) / (ergo / (I mean, a child among / you taking notes / W. Gaddis”. “As the most important precursor of many postmodernist novels about travel or movement, The Recognitions signals a change in the function of travel in fiction that is echoed in later nonfiction about travel… Since its appearance in 1955, Gaddis’ first novel has been in and out of print, initially ignored or misunderstood but subsequently praised as a central work of contemporary American fiction” (Alison Russell, Crossing Boundaries: Postmodern Travel Literature). Original cloth, original dust jacket; custom half-morocco box. Book fine, dust jacket near-fine with very minor edgewear.
Signed by Maurice SendakNew York, 1981
FIRST EDITION OF SENDAK’S THIRD BOOK, SIGNED AND INSCRIBED BY SENDAK. Gilt lettered red cloth, original dust jacket ($12.95 on front flap). Outside Over There is Sendak’s story of Ida, a pre-adolescent girl who must contend with sibling jealousy, new responsibilities and goblins who kidnap her young sister. A splendid copy, with Sendak’s enchanting illustrations.
LIMITED EDITION, WITH TWO SIGNED COLOR ETCHINGS BY MAX ERNST, and 25 additional color lithographs; one of only 250 copies (out of a total edition of 320). An evocative collaboration between the surrealist poet Prevert and the surrealist artist Ernst. The Livre d’Artiste in the Twentieth Century 46. Large folio, loose as issued in original lithographed paper wrappers; original buckram clamshell box. Fraying to box edges, some foxing to wrappers; interior and plates fine.