History, Politics & Religion

THIRD EDITION of William of Auvergne’s meditation on the subject of prayer. This work was first published in 1491 and again in 1492. Octavo. 152 printed leaves. Beautifully rebound in (early) printed leaf over boards with vellum manuscript leaves on paste-downs. Printers device on title and verso of final leaf; rubricated in red and blue. Small hole to margin of first few leaves; occasional light dampstaining to margins; a superb and quite desirable copy.

“There is not going to be any short-cut to preserving our own freedom or securing the peace fo the world through international cooperation of free and peaceful nations… …I am confident that the American people have never been more strongly united in their determination to preserve our own freedom and to aid friendly nations… …Our actions in the days ahead must reflect that unity and I am confident that all of you will do your utmost to see to it that a united American people overcome the obstacles and dangers which lie between us and our common goal of a just and lasting peace.” TRUMAN, Harry S. Typed Letter Signed. Washington, DC, November 20, 1950. A substantial letter with excellent content from President Truman addressed to Dwight R.G. Palmer, an executive of the Democratic National Committee. In this remarkable letter President Truman makes a forceful and earnest request for support in building a secure and lasting peace  in the early post-war period. This letter reflects what historians regard as President Truman’s greatest achievement, i.e., his success in building a secure and stable peace after the Second World War.    

FIRST COMPLETE EDITION OF AESCHYLUS. With the editio princeps of the Agamemnon. “An excellent and beautiful edition… It is a much more valuable impression than either of its precursors.. what enhances the value of the edition is, that the Agamemnon is published in it, for the first time, complete.” -Dibdin, An introduction to the knowledge of rare and valuable editions of the Greek and Latin Classics Quarto. Early full tree-calf skillfully rebacked, spine in six compartments, red leather label. Gilt dentelles, marbled endpapers, all edges gilt. Text generallly clean throughout; repaired tear to the lower portion of title page. A handsome copy of an important and distinguished edition.

FIRST EDITION, FIRST STATE of the most famous and most beloved biography in the English language. One of only 1750 copies of the first edition printed (both first and second states combined). “Anyone interested in biography soon becomes interested in Boswell’s Life of Johnson. It stands next to other biographies as Shakespeare stands beside other playwrights: towering above them all. For more than two centuries it has been continually in print, and in that time it has won innumerable admirers. No other biography has given so much pleasure; no other biographer has created such a vivid central character. It has become a truism that, as a result of Boswell’s extraordinary book, Samuel Johnson is better known to us than any other man in history” (Sisman, Boswell’s Presumptuous Task, xv). First state with “gve” on page 135 of vol. I. Quarto. Two volumes. Contemporary calf, skillfully rebacked. Gilt compartments, double-labels. A wide margined copy in a handsome binding. With frontispiece (after Sir Joshua Reynolds) and the two engraved plates in vol. II. Courtney & Smith, pp. 172-73. Pottle 79. Grolier English Hundred 65. Rothschild 463.

FIRST EDITIONS. “To this task Gibbon brought a width of vision and a critical mastery of the available sources which have not been equalled to this day; and the result was clothed in an inimitable prose” (PMM, 222). Six volumes. Quarto. Contemporary tan calf rebacked with old red and green lettering-pieces laid down, gilt in compartments. Engraved portrait frontispiece in Vol. I, 2 folding maps in Vol. II, 1 folding map in Vol. III, without half-titles in Vols. II and III, others present. Frontispiece slightly foxed as usual, some offsetting, a few gatherings slightly foxed, a very good set. With portrait frontispiece of Gibbon (in vol. I), 1 folding map of Europe adjacent to Constantinople (in vol. II) 1 folding map of the Eastern Roman Empire and 1 folding map of the Western Roman Empire (in vol. III). The portrait of Gibbon “engraved by Joseph Hall from an original picture painted by Sir Joshua Reynolds” published by Strahan and Cadell in 1780 and issued with the second volume, has been moved by the binder to the appropriate place, at the beginning of vol. I. That volume is in the second of two variant states, without the cancels X4 and a4.

FIRST EDITION, FIRST ISSUE. Original cloth, original dust jacket. First issue dust jacket with “1/66” code on the front flap; “Publishers of the American College Dictionary and the Modern Library” on rear flap. A superb copy.

“The grandfather of pictorial histories, this mammoth work is a necessary part of any Civil War library. The work contains 3,389 images that constitute an important source on the war’s appearance—its battlefields, common soldiers, officers, forts, diseases, camp scenes, army movements, and materiel.” Eicher, The Civil War in Books 771. “The greatest single collection of Brady illustrations” (Allan Nevins). The Mathew Brady photographs represent the first instance of a comprehensive photo-documentation of a war. New York: The Review of Reviews, 1911. Quarto, original blue cloth gilt. Ten volumes. An exceptional set, gilt uncommonly bright. Only occasional trivial wear to bindings. Very rare in this condition.

FIRST AMERICAN TRADE EDITION. Octavo. Original pictorial cloth lettered in gilt. Introduction by Theodore Roosevelt, foreword by Gilbert H.Grosvenor. With 8 full page illustrations, 100 illustrations in black and white, and color map bound in at rear. An excellent copy.

Lovely new product of the highest quality that is exceptionally valuable and seriously underpriced!!

EDITIO PRINCEPS of Appian’s histories of the various Roman wars from the earliest times to the campaigns of Trajan. Folio. 18th-century calf recently rebacked. Title leaf laid down and repaired; lower blank corners of last four leaves repaired (not affecting text). Greek type; Estienne’s basilisk device as Royal Greek Printer on title; foliated and grotesque Greek initials with matching headpieces. An attractive copy.

FIRST EDITION of Vols II-VI, THIRD EDITION of vol I. This is the first issue of Volume I to set Gibbon’s footnotes at page-bottom instead of an the end of the volume, a major iomprovement in readability. “To [his] task Gibbon brought a width of vision and a critical mastery of the available sources which have not been equalled to this day; and the result was clothed in an inimitable prose” (PMM). Six volumes. Quarto. Rebound in period style quarter calf over marbled boards, the spines gilt with red morocco title and volume labels. An attractive and desirable set. Clean throughout.

SIGNED BY ULYSSES S. GRANT AS PRESIDENT OF THE UNITED STATES. Partly-printed vellum document signed, “U.S. Grant,” as president. Military commission appointing H. Schuyler Ross a First Assistant Engineer in the Navy. Countersigned by George M. Robeson as Secretary of the Navy. Washington, 1873. Approximately 19 1/2×16 inches; slightly faded signature, usual folds, minor soiling, seal intact.

1804 edition of Hamilton’s celebrated Outlines from the Figures and Compositions upon the Greek, Roman and Etruscan Vases, illustrated with 62 engraved plates. Quarto. Half-title, 62 engraved plates by Kirk (uncoloured). Handsomely bound in quarter calf over vellum boards. Text and plates clean, small split at half-title (holding). Nice copy.

FIRST EDITION of Lawrence’s account of his journey on foot through northern Syria. Illustrated with 129 photographs taken by the author. Octavo. Original cloth, original brown paper dust jacket. First issue with page 16 mis-numbered. Fine in a superb dust jacket with only very minor occasional rubbing.

THE ESTIENNE EDITION of the letters of Pliny the Younger (A.D. 61-113). Pliny is one of the three earliest non-Christian writers to mention Christ and the Christians. Quarto (240 x 170mm). Woodcut Estienne printer’s device on title-page. Woodcut ornamental initials and headpieces. 19th-century tan calf, decorated in blind; joints split near top but holding. Hinges reinforced; occasional unobtrusive early underlining, scholarly notations and marginalia. This edition was printed by Paul Estienne (Paulus Stephanus), a member of the eminent Estienne (Stephanus) dynasty of French scholar-printers, and the son and successor of the great Henri Estienne.

First expanded edition. The one volume edition of 1817-19 was written by John P. Gandy and illustrated by Gell. Excavations continued throughout the 1820s. The 1832 edition was written by Gell himself and covers the recent excavations. “Pompeiana, published in 1817-19 brought the first comprehensive account of the excavations to English-speaking readers… Numerous editions issued over the next six decades influenced popular culture through a skillful illumination of fact with lively pictorial images. The first edition is a topographical tour covering major public and domestic structures… while the revised sequel of 1832.. presents the results of recent exploration, in the course of which a number of spectacular residences and baths were uncovered. Bringing to light noteworthy examples of mythological paintings, excavations carried out during the 1820s opened a window into the living quarters of Romans whose libraries and walls were replete with the texts and images of classical mythology.” –Claire L. Lyons and Marica Reed, Antiquity Recovered: The Legacy of Pompeii and Herculaneum Imperial octavo. Two volumes. (17×26.5cm) Contemporary silken green cloth with gilt labels to spine. Complete with 87 full page plates. With an additional 30 vignettes tipped on india. Untrimmed. Minor foxing to preliminaries; an excellent set in an attractive early binding.

FIRST EDITION IN FRENCH of this most important work in art history and criticism. THE HAGUE: E. VAN HARREVELT, 1766. Octavo.Two volumes bound as one. Recent crushed morocco, rebacked with the original spine laid down, marbled endpaper. Illustrated throughout. A handsome copy.